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Compromise is our business: responses to theatre, art, and politics
REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS
Posts
March 05, 2024
A Note on Grand Theft Theatre, Adelaide Festival 2024
February 08, 2023
Memory lane - some forgotten old words (c. 2013)
November 23, 2017
A life re-lived and imagined anew: Nature Theater of Oklahoma, Life and Times: Episodes 1-4 (review from 2013)
November 22, 2017
Back from beyond?
August 27, 2013
You’ll stop seeing me as your dancing monkey
November 12, 2012
The Trouble With Asian Men
August 24, 2012
The gaze stripping bare: violence and vision in version 1.0’s THIS KIND OF RUCKUS
August 24, 2012
Busting up and deeply personal national traumas
October 12, 2010
Labours of love: Whittaker and Caesar's Starfuckers
October 06, 2010
February 13, 2010
Beauty disturbed: Ruhe, Sydney Festival
January 21, 2010
Urban navigation
January 13, 2010
New year, new blog
December 15, 2009
Innocents retrieved: UTP's The Fence for Sydney Festival
November 27, 2009
The pleasures of patriarchy: version 1.0’s THIS KIND OF RUCKUS
September 20, 2009
A note on the video in version 1.0's THIS KIND OF RUCKUS
August 01, 2009
Video notes 2: Le Dernier Spectacle (The Last Performance) (1998) by Jerome Bel
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