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Compromise is our business: responses to theatre, art, and politics

REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS

Posts

December 08, 2007

Borrowing time

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November 26, 2007

A certain sadness

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November 21, 2007

David is... (ten days of Facebook)

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November 16, 2007

Response: Shibboleth by Doris Salcedo

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November 13, 2007

Review: The Show Must Go On by Jerome Bel

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November 11, 2007

Review: Medeia by Dood Paard

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October 29, 2007

Review: Death is certain

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October 11, 2007

Retroflex - blink and you'll miss it!

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October 10, 2007

Review: Bone and Hilda

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October 10, 2007

The Sydney swirl! Bad blogger!

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September 19, 2007

Happenings, theatrical and otherwise

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David Williams: Melbourne, Vic, Australia; I am the wearer of many hats, all of them related to theatre and performance. As a maker, I create documentary or verbatim theatre works around social and political themes, most recently QUIET FAITH, SMURF IN WANDERLAND, and GRACE UNDER PRESSURE. I founded the Sydney-based performance group version 1.0 in 1998, and devised and produced all of the company's work from 1998-2012. As a technician, I have worked as a mechanist and flyman at the Sydney Opera House 1997-2019. As an academic, I finally completed my PhD in 2007, a study of five works by the Sheffield-based group Forced Entertainment. As a writer, my work appeared on a semi-regular basis in Real Time until 2011, and I have scholarly articles in Australasian Drama Studies Journal, Performance Paradigm, Research in Drama Education and Law, Text & Culture. The contents of this blog should not be seen as being in any endorsed by any of my employers past or present, but represent my various (and occasional) musings on theatre, performance, art and contemporary politics.

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Alexander Downer2
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