Skip to main content

Search This Blog

Compromise is our business: responses to theatre, art, and politics

REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS

Posts

November 22, 2017

Back from beyond?

Get link
Facebook
X
Pinterest
Email
Other Apps

August 27, 2013

You’ll stop seeing me as your dancing monkey

Get link
Facebook
X
Pinterest
Email
Other Apps

November 12, 2012

The Trouble With Asian Men

Get link
Facebook
X
Pinterest
Email
Other Apps

August 24, 2012

The gaze stripping bare: violence and vision in version 1.0’s THIS KIND OF RUCKUS

Get link
Facebook
X
Pinterest
Email
Other Apps

August 24, 2012

Busting up and deeply personal national traumas

Get link
Facebook
X
Pinterest
Email
Other Apps

October 12, 2010

Labours of love: Whittaker and Caesar's Starfuckers

Get link
Facebook
X
Pinterest
Email
Other Apps

October 06, 2010

Get link
Facebook
X
Pinterest
Email
Other Apps

February 13, 2010

Beauty disturbed: Ruhe, Sydney Festival

Get link
Facebook
X
Pinterest
Email
Other Apps

January 21, 2010

Urban navigation

Get link
Facebook
X
Pinterest
Email
Other Apps

January 13, 2010

New year, new blog

Get link
Facebook
X
Pinterest
Email
Other Apps

December 15, 2009

Innocents retrieved: UTP's The Fence for Sydney Festival

Get link
Facebook
X
Pinterest
Email
Other Apps

Newer Posts Older Posts Home

Powered by Blogger

David Williams: Melbourne, Vic, Australia; I am the wearer of many hats, all of them related to theatre and performance. As a maker, I create documentary or verbatim theatre works around social and political themes, most recently QUIET FAITH, SMURF IN WANDERLAND, and GRACE UNDER PRESSURE. I founded the Sydney-based performance group version 1.0 in 1998, and devised and produced all of the company's work from 1998-2012. As a technician, I have worked as a mechanist and flyman at the Sydney Opera House 1997-2019. As an academic, I finally completed my PhD in 2007, a study of five works by the Sheffield-based group Forced Entertainment. As a writer, my work appeared on a semi-regular basis in Real Time until 2011, and I have scholarly articles in Australasian Drama Studies Journal, Performance Paradigm, Research in Drama Education and Law, Text & Culture. The contents of this blog should not be seen as being in any endorsed by any of my employers past or present, but represent my various (and occasional) musings on theatre, performance, art and contemporary politics.

Archive

2024 1
- March 1
  - A Note on Grand Theft Theatre, Adelaide Festival 2024

2023 1
- February 1
2017 2
- November 2
2013 1
- August 1
2012 3
- November 1
- August 2
2010 5
2009 14
- December 1
- November 1
- September 1
- August 1
- July 1
- June 2
- April 2
- March 1
- February 3
- January 1
2008 22
- December 2
- November 2
- October 1
- September 2
- August 3
- June 2
- April 3
- March 1
- February 3
- January 3
2007 42
- December 3
- November 5
- October 4
- September 1
- August 4
- July 5
- June 7
- May 5
- April 4
- March 4

Show more Show less

Labels

Alexander Downer2
Andrew Morrish1
APAM1
Aphids2
Artrage Festival2
arts policy6
ArtsLab1
Australia Council for the Arts2
Australian Centre for Photography1
AWB5

Show more Show less

Report Abuse