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Compromise is our business: responses to theatre, art, and politics

REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS

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February 17, 2008

Chronicles of an Imperial Panda Part 1: Gifted and Talented

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February 01, 2008

version 1.0's The Bougainville Photoplay in Canberra next week

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January 23, 2008

A propaganda of the truth

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January 11, 2008

Thinking through festival time

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January 08, 2008

Hypothetical manifesto

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December 11, 2007

Review: Gilgamesh by Uncle Semolina (& friends)

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December 08, 2007

Video Notes 1: Shirtology by Jerome Bel

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December 08, 2007

Borrowing time

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November 26, 2007

A certain sadness

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November 21, 2007

David is... (ten days of Facebook)

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November 16, 2007

Response: Shibboleth by Doris Salcedo

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David Williams: Melbourne, Vic, Australia; I am the wearer of many hats, all of them related to theatre and performance. As a maker, I create documentary or verbatim theatre works around social and political themes, most recently QUIET FAITH, SMURF IN WANDERLAND, and GRACE UNDER PRESSURE. I founded the Sydney-based performance group version 1.0 in 1998, and devised and produced all of the company's work from 1998-2012. As a technician, I have worked as a mechanist and flyman at the Sydney Opera House 1997-2019. As an academic, I finally completed my PhD in 2007, a study of five works by the Sheffield-based group Forced Entertainment. As a writer, my work appeared on a semi-regular basis in Real Time until 2011, and I have scholarly articles in Australasian Drama Studies Journal, Performance Paradigm, Research in Drama Education and Law, Text & Culture. The contents of this blog should not be seen as being in any endorsed by any of my employers past or present, but represent my various (and occasional) musings on theatre, performance, art and contemporary politics.

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Labels

Alexander Downer2
Andrew Morrish1
APAM1
Aphids2
Artrage Festival2
arts policy6
ArtsLab1
Australia Council for the Arts2
Australian Centre for Photography1
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