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Compromise is our business: responses to theatre, art, and politics

REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS

Posts

February 22, 2009

Belarus Free Theatre: an aesthetic opposition first of all

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February 04, 2009

2009 performance hots up!

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February 03, 2009

Most interesting performance works of 2008

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January 10, 2009

Night of The Hoofer

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December 17, 2008

'Love your work' report released

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December 07, 2008

"OK, you should stand by after I enter in a tank. No, even better - when the dog drives off in the taxi"

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November 05, 2008

A decade of critical upgrades

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November 04, 2008

Life on the inside

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October 08, 2008

At war with war

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September 24, 2008

Collaborative communication and action: working languages

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September 24, 2008

This is what you missed…

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David Williams: Melbourne, Vic, Australia; I am the wearer of many hats, all of them related to theatre and performance. As a maker, I create documentary or verbatim theatre works around social and political themes, most recently QUIET FAITH, SMURF IN WANDERLAND, and GRACE UNDER PRESSURE. I founded the Sydney-based performance group version 1.0 in 1998, and devised and produced all of the company's work from 1998-2012. As a technician, I have worked as a mechanist and flyman at the Sydney Opera House 1997-2019. As an academic, I finally completed my PhD in 2007, a study of five works by the Sheffield-based group Forced Entertainment. As a writer, my work appeared on a semi-regular basis in Real Time until 2011, and I have scholarly articles in Australasian Drama Studies Journal, Performance Paradigm, Research in Drama Education and Law, Text & Culture. The contents of this blog should not be seen as being in any endorsed by any of my employers past or present, but represent my various (and occasional) musings on theatre, performance, art and contemporary politics.

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Labels

Alexander Downer2
Andrew Morrish1
APAM1
Aphids2
Artrage Festival2
arts policy6
ArtsLab1
Australia Council for the Arts2
Australian Centre for Photography1
AWB5

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