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Compromise is our business: responses to theatre, art, and politics
REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS
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Showing posts from 2009
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December 15, 2009
Innocents retrieved: UTP's The Fence for Sydney Festival
November 27, 2009
The pleasures of patriarchy: version 1.0’s THIS KIND OF RUCKUS
September 20, 2009
A note on the video in version 1.0's THIS KIND OF RUCKUS
August 01, 2009
Video notes 2: Le Dernier Spectacle (The Last Performance) (1998) by Jerome Bel
July 31, 2009
Making sense; or what on earth is it that we are doing, and how might this possibly be achieved?
June 17, 2009
Interview with Andrew Morrish 10/3/2003
June 17, 2009
Interview with Natalia Koliada, producer, Belarus Free Theatre, 17/1/09
April 11, 2009
At the bottom of the garden
April 09, 2009
Blast Theory: Small secrets in public spaces
March 05, 2009
Funding advice video online now
February 22, 2009
Belarus Free Theatre: an aesthetic opposition first of all
February 04, 2009
2009 performance hots up!
February 03, 2009
Most interesting performance works of 2008
January 10, 2009
Night of The Hoofer
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