Skip to main content

Search This Blog

Compromise is our business: responses to theatre, art, and politics

REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS

Posts

November 13, 2007

Review: The Show Must Go On by Jerome Bel

Get link
Facebook
X
Pinterest
Email
Other Apps

November 11, 2007

Review: Medeia by Dood Paard

Get link
Facebook
X
Pinterest
Email
Other Apps

October 29, 2007

Review: Death is certain

Get link
Facebook
X
Pinterest
Email
Other Apps

October 11, 2007

Retroflex - blink and you'll miss it!

Get link
Facebook
X
Pinterest
Email
Other Apps

October 10, 2007

Review: Bone and Hilda

Get link
Facebook
X
Pinterest
Email
Other Apps

October 10, 2007

The Sydney swirl! Bad blogger!

Get link
Facebook
X
Pinterest
Email
Other Apps

September 19, 2007

Happenings, theatrical and otherwise

Get link
Facebook
X
Pinterest
Email
Other Apps

August 25, 2007

Piecing together a scandalous jigsaw

Get link
Facebook
X
Pinterest
Email
Other Apps

August 17, 2007

Vale Tanja Liedtke

Get link
Facebook
X
Pinterest
Email
Other Apps

August 13, 2007

Contemporary performance: signs of life

Get link
Facebook
X
Pinterest
Email
Other Apps

August 06, 2007

version 1.0's 'Deeply offensive and utterly untrue' details released

Get link
Facebook
X
Pinterest
Email
Other Apps

Newer Posts Older Posts Home

Powered by Blogger

David Williams: Melbourne, Vic, Australia; I am the wearer of many hats, all of them related to theatre and performance. As a maker, I create documentary or verbatim theatre works around social and political themes, most recently QUIET FAITH, SMURF IN WANDERLAND, and GRACE UNDER PRESSURE. I founded the Sydney-based performance group version 1.0 in 1998, and devised and produced all of the company's work from 1998-2012. As a technician, I have worked as a mechanist and flyman at the Sydney Opera House 1997-2019. As an academic, I finally completed my PhD in 2007, a study of five works by the Sheffield-based group Forced Entertainment. As a writer, my work appeared on a semi-regular basis in Real Time until 2011, and I have scholarly articles in Australasian Drama Studies Journal, Performance Paradigm, Research in Drama Education and Law, Text & Culture. The contents of this blog should not be seen as being in any endorsed by any of my employers past or present, but represent my various (and occasional) musings on theatre, performance, art and contemporary politics.

Archive

2024 1
- March 1
  - A Note on Grand Theft Theatre, Adelaide Festival 2024

2023 1
- February 1
2017 2
- November 2
2013 1
- August 1
2012 3
- November 1
- August 2
2010 5
2009 14
- December 1
- November 1
- September 1
- August 1
- July 1
- June 2
- April 2
- March 1
- February 3
- January 1
2008 22
- December 2
- November 2
- October 1
- September 2
- August 3
- June 2
- April 3
- March 1
- February 3
- January 3
2007 42
- December 3
- November 5
- October 4
- September 1
- August 4
- July 5
- June 7
- May 5
- April 4
- March 4

Show more Show less

Labels

Alexander Downer2
Andrew Morrish1
APAM1
Aphids2
Artrage Festival2
arts policy6
ArtsLab1
Australia Council for the Arts2
Australian Centre for Photography1
AWB5

Show more Show less

Report Abuse